Power of the Powerless: Their trial was not a confrontation of two differing political forces or conceptions, but two differing conceptions of life. by Vaclav Havel
'On the one hand, there was the sterile puritanism of the post-totalitarian establishment and, on the other hand, unknown young people who wanted no more than to be able to live within the truth, to play the music they enjoyed, to sing songs that were relevant to their lives, and to live freely in dignity and partnership.
'These people had no past history of political activity. They were not highly motivated members of the opposition with political ambitions, nor were they former politicians expelled from the power structures. They had been given every opportunity to adapt to the status quo, to accept the principles of living within a lie and thus to enjoy life undisturbed by the authorities. Yet they decided on a different course.
'Despite this, or perhaps precisely because of it, their case had a very special impact on everyone who had not yet given up hope. Moreover, when the trial took place, a new mood had begun to surface after the years of waiting, of apathy and of skepticism toward various forms of resistance.
'People were "tired of being tired"; they were fed up with the stagnation, the inactivity, barely hanging on in the hope that things might improve after all. In some ways the trial was the final straw. Many groups of differing tendencies which until then had remained isolated from each other, reluctant to cooperate, or which were committed to forms of action that made cooperation difficult, were suddenly struck with the powerful realization that freedom is indivisible.
'Everyone understood that an attack on the Czech musical underground was an attack on a most elementary and important thing, something that in fact bound everyone together: it was an attack on the very notion of living within the truth, on the real aims of life. The freedom to play rock music was understood as a human freedom and thus as essentially the same as the freedom to engage in philosophical and political reflection, the freedom to write, the freedom to express and defend the various social and political interests of society.
'People were inspired to feel a genuine sense of solidarity with the young musicians and they came to realize that not standing up for the freedom of others, regardless of how remote their means of creativity or their attitude to life, meant surrendering one's own freedom.
'(There is no freedom without equality before the law, and there is no equality before the law without freedom; Charter 77 has given this ancient notion a new and characteristic dimension, which has immensely important implications for modern Czech history. What Sládeček, the author of the book Sixty-eight, in a brilliant analysis, calls the "principle of exclusion," lies at the root of all our present-day moral and political misery. This principle was born at the end of the Second World War in that strange collusion of democrats and communists and was subsequently developed further and further, right to the bitter end. For the first time in decades this principle has been overcome, by Charter 77: all those united in the Charter have, for the first time, become equal partners. Charter 77 is not merely a coalition of communists and noncommunists—that would be nothing historically new and, from the moral and political point of view, nothing revolutionary—but it is a community that is a priori open to anyone, and no one in it is a priori assigned an inferior position.)
'This was the climate, then, in which Charter 77 was created. Who could have foreseen that the prosecution of one or two obscure rock groups would have such far-reaching consequences?'